The bows are improving. As the bow becomes better, the child becomes earnest, wholehearted, committed and focused. Through working on the physical expression of the bow we are also working on the feeling in the bow, the willingness to learn and take instruction.
The most important point for this week is to make sure there is no tension in the ready position on each finger. Ready position teaches each separate finger to be balanced over the key with a relaxed hand -"Spaghetti fingers". However, if we try to teach too much with words, no matter how good we may think those words are, the result will be unnatural. The children need to feel the balance over the keys with the correct finger touching the correct key. This is simple yet involves physical and mental stamina, as well as motivation and connection to something more interesting yet to come. So, they need encouragement that this process will yield a result. Play the disc and videos and reinforce the concept that the practice they are doing is going to help them play well. This may seem obvious, but they need to hear encouragement often to keep working on holding a position at the piano without playing...
All of the students can continue to do ready on the thumb with counting. Please ask them to look at their thumb as this will help them focus. Be careful when they look that they do not bow their head however and maintain a good balance without tension. Notice how directly they can find the ready without any extra motions, and at the end of counting notice how they take their hand off the piano.
For the kindergarteners, please focus on really listening to the sound, and allow them to discover and connect the way they move their fingers to get the sound. After each note is played we are noticing something - particularly the tone. Please notice the differences in tone as your child plays, and affirm when the sound is good. Ask your child which tone they like and be very interested in each sound. Usually the 5th finger comes along latter, and the tone becomes really good on the 2nd and 3rd fingers first. So, notice each finger separately - the 5th finger takes time so notice when it is moving even if the sound is a little weak. This is fine as long as it is not tense. As you notice with this kind of focus you will really be able to hear lots of difference in tone that you may not have been consciously aware of before. Also, as you put the focus on the sounds the child becomes engaged too, and the practice is about listening to which sounds they like, rather than about if they are doing it right or not. When the judgement about the child is absent, the child is free to listen and learn.
Please continue with finger recognition every day. This needs to be immediate, and also by touch sense without having to look at the finger. Please clap rhythms and identify the twinkle rhythms, and also sing solfege on the beginning songs either with the disc, or separately. It is good for parents to look at the book and listen to the disc while singing. This will help you to learn the pieces quickly. You can write the solfege in the book if it will help you. If you would like me to check the solfege you have written in the book to be sure it is correct just ask me in the lesson. The children can sing along as they memorize it. If you are doing this they will learn without any extra "teaching".
Here is a link to a blog written in October 2009 about tone with a couple wonderful quotes from my teacher Dr. Kataoka,, and also another video clip from a student in 1998.
"Focus with the Ears"
I will take pictures of the students in their ready positions next week and can post them in the photo gallery.
Thanks so much for your dedication to the process.
Leah Brammer
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